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Thursday, December 16, 2010

Sa Re Ga Ma Pa And Then What ?

Brij Mohan Lall Munjal of Hero Honda Motors has several accolades to his name. They include a host of richly deserved lifetime awards for his contribution to Indian business. As an entrepreneur, he's put India on the world two-wheeler map. He gave Rahul Bajaj a run for his money. He's also somewhat reserved, not one for limelight. If he wanted to, he could have sought and got a greater personal profile. He's avoided it deliberately. That's the impression he conveys when you meet him as well.

Yet, the other night, he was on stage announcing the winners of one of the country's biggest singing competitions. This was live and past midnight. He was looking reasonably energetic. The event was taking place in a suburban Bombay stadium. He gave an appropriate but quick backdrop to the competition. He reeled off the numbers and then went on to announce the results. "And the winner is...," he said, waiting for perhaps 30 seconds or more, knowing the nation was watching spellbound. Then he revealed the name.

He didn't stop there. He said he had followed the competition closely. He even offered words of fatherly consolation to the singer who came second. Something to the effect of him having captured everyone's hearts. Munjal didn't fumble for words as often people in gatherings like this do. Particularly sponsors. Perhaps its the confidence that comes from owning the event. And yet, this was not the indifferent, eyeball focussed sponsor striding in to claim the glory. It was someone who had plugged into the drama, right from the beginning. Or along the way.

All This For A Song ?

All this for a song. We all like heroes. We like to align with some. Because they are underdogs. Or they are good. Or they belong to an economically disadvantaged region. And yet, there is something troubling about such a song and dance. About a song. Sure, it represents something more. The rise of the underprivileged. The tryst with glamour and Bollwyood. For someone who was a civil engineer with the state Public Works Department (PWD), its a long journey. And he's honest. I've heard of PWD employees who hold two jobs.

Despite that, its baffling. Do we like such contests because they are a true representation of people's power. And perhaps hard merit. Because merit or votes do not work elsewhere, or in most places. Like the political process where your votes don't necessarily swing what you want. Some 55 million SMSs were received. Depending on the double-counting, anywhere between 5 million and 10 million people voted. That's more than 10 per cent of the mobile phone population of the country.

I don't think that many mobile phone owners turn out to vote for politicians. But they do it for aspiring playback singers. Who will not necessarily do better than someone who has not risen through the competition route. Quite the contrary, one feels. At least so far. Kudos to them in any case. They've worked hard to reach where they are. And Munjal ? Well, he deserves the returns for the money he's invested in the programme. And the rest of us ? Could we also find something a little more productive to do ? Like also vote for a better quality of life ? 

Finally Debo jeet gaya

...And here are some observations about reality show finales -

- Approximately 1 hr and 46 minutes will elapse between the time the host first announces, ab kuch hi der mein aapko hum batayenge ki 'India ki voice' kaun hai... And the actual announcement

- That a 'chhota sa break' will last for 6 minutes and 21 seconds. After all, the channel has to make hay while the TRP shines (and make up for several low years)

- That the final two are completely unrecognisable from their original selves thanks to 'make overs'. (A sign of having well and truly arrived is that you are now no stranger to the world of streaking and hair colour!)

- That every time a personality who is at least 5 years older than the contestant the simple rule is: lunge for their feet. They may claim to hate this but... Why take chances.

- That with all the mutual backscratching going on, every major and minor personality called on stage is going to have no back problems - for some time to come.

- That you can call a show that is telecast with a 2 hour delay 'live'...

In addition, specific to the Zee show 
- The announcement of results resembled an annual school Sports Day function with the number of wellwishers, hangers on and actual stakeholders crowding onstage at the very end.Even Brij Mohan Munjal as he announced results of the 'kumptition" reminded me of an avuncular old school principal.

- That in the end I have this teeny weeny doubt about whether Assam and NE really did manage to swamp the voting earlier. In the end Debojit won by a slim margin of 50.42%.

Yes there are supposed to be auditors but... Didn't it make for a much bigger 'story' this way?

As close to 5.5 crore votes were cast and that's a cool Rs 30 crores plus which goes into the pockets of Zee + Cellcos. Controversy sure helped to fuel those numbers!

- Noted in the closing credits two gentlemen under the heading 'Reality Director'. What exactly do these people 'direct'? How to pit one kid against the other - and other such spontaneous events?

- For the first time I heard both Vinit and Debojit - I think they're both competent singers and I have no problem with Debojit winning. He deserved it as much as the other finalist.
 
But it was Himani who I think was truly outstanding and as Alka Yagnik said, she will go a long way. I never saw any shows with Nihira or the others so I cannot judge how good they were but I have no doubt in the long run (say 5 years from now) the 'winners' of these reality shows may not achieve as much fame and fortune as some of the others who also competed.

Already, it is clear that Qazi - who was a great performer in the context of Fame Gurukul - cannot repeat his magic outside the sets. His first video was a disaster thanks to lack of singing talent, atrocious dress sense and endless narcissism which was irritating rather than endearing.

I think the Sa re ga ma winner and also-rans fared better because the show roped in so many big names from the world of music as mentors. And they promoted their personal favourites - which outside of the show format was a good thing.

What i felt was that reality TV is a niche in Indian market and it needs to be filled - so the promoters will play with it and use the hype to generate big bucks. As for the participants, it is better if they can find mentors because most of them are good - have watched a couple of episodes. And 5 yrs down the line - only the 1s with will & humility will shine through.



We are such regionalistic w****s. I really don't see the point of India continuing as India. Ganguly gets chucked out of the team, and all of West Bengal cries foul, curses the rest of the country, and wants out. We have a singing competition, and most people vote for their home-boy, not the best. Like Debojit was going to donate all his money to help the state fight its terrorism issues. The South will always be the South, never part of India. Punjab has already fought for its 'freedom'. Kashmir is halfway there. Pakistan, and Bangladesh are there. Mumbai wants its own independent economy. States cannot live with their neighbors. They cannot live peacefully with themselves. They fight with each other over water, and they split up.

Oh well, ignore all that. Come Budget time, and its all Hum Ek Hain.

Unlike the old days when big singers and composers zealously and jealously guarded their own territory, the new lot has (willingly or unwillingly!) accepted the recognition and promotion of young talent as part of their portfolio. It's no longer seen as a personal threat.

More talent, more variety, more voices - we as audience could not ask for more!  

Reality Bites

In 2005, the whole of India was talking about Indian Idol. Abhijeet ya Amit. Why was Rahul Saxena eliminated. And so on and so forth.

Then, in 2006 Idol had been quite thanda. An online poll threw up some startling statistics. 82% of the people who took the poll said they had not seen a single Indian Idol episode. 13% said they had seen a few while about 5% were avidly following the show.

An Optimum Media Solutions report noted that in 2005, the 7th January episode of Indian Idol notched TVRs of 6.8, while the 5th March finale saw a surge in the ratings to a whopping 15.3

In January 2006 Indian Idol 2 ratings were on an average a miserable 3.31. A host of stars had been roped in to add 'buzz' - the latest being Will Smith. But it seemed like too little, too late.

Sony Television took it for granted that we would tune in to Idol part 2. The promotion and build up this time was pretty low key. Plus, in the meantime they flogged the vapid Fame Gurukul which threw up a joker of a winner in Qazi.

The dark horse
And what they had not counted on at all - Sa re ga ma pa Challenge from Zee TV. The once staid show decided to go the SMS way. In addition they introduced the concept of music directors acting not just as judges but mentors with the creation of 'gharanas.'

These moves had been controversial (loyalists said the show was better in its unadulterated format). And they had created controversy, which is always a great boost to ratings.

Sa re ga ma not only achieved a TVR of 3.53 in Jan 2006, it outdid Indian Idol in the buzz factor.

The drama so far: One of the judges Ismail Darbar staged a walk out. Then the contestants staged a walkout

The core issue had been SMS vs Talent.

Darbar was peeved when his favourite Nihira was voted out by the public.

Can't people recognise quality when they hear it? Just because Nihira can't wear revealing clothes or dance, should she be eliminated? Is that how we have ever judged our greatest singers, like Lataji?
Darbar later returned to the show - many cried this was a mere publicity stunt.

Then Himani, Hemchandra and Vinit staged a walkout claiming they had been threatened by ULFA militants who supported the 4th contestant Debojit. They too returned to the show. But the issue of Debojit proceeding into the finals based on a huge number of regional votes had caught fire...

 Sa re ga ma pa? Na!
Here's my take on the subject, elaborated - The ‘finals’ of any sporting event is fraught with glorious uncertainty. Anybody can win. Even if the contest is lopsided, even if one team is far more fancied than the other. Upsets can and do happen. And that’s why we tune in.

The finals of a ‘reality show’ however, are quite a different story. But no matter how well 17-year-old Vinit sang, the result was a foregone conclusion. His rival Debojit had been getting a record breaking number of SMS votes for many weeks. Nothing was wrong with that, except that 80 per cent of those votes came in from Assam. And Debojit was Assamese.

I’m not saying Debojit was untalented. But was he the most talented? We’ll never know, because a huge number of people were choosing to vote not for ‘India ki Voice’ but ‘the boy from Assam’. Without giving the other contestants a fair hearing, a sporting chance.  


In that sense, the show was truly a mirroring reality. India voted for its singers the way it voted for its politicians! Merit mattered less than the fact that the candidate was from my mohalla/ community/ state.

The reactions
One person wrote in to say:

I completely agree that in Saregamapa the voting pattern for Debojit was somewhat not acceptable as he was getting the votes mainly from the Northeast region and not from the whole of India. But why single out Debojit? What about the others?

Basically at the end of each show every contestant used to request his/her home state to specifically vote for them . It is another story that the response was not so overwhelming everytime as in the case of Debojit.
  

The fact is for all reality shows like this the home state always plays an important role in a contestant' s win or lose.. Again on the other hand contestants from the South never got any votesfrom their home state because people from the South do not watch Hindi programmes. In a country as diverse as India if diversity plays such an important role in hampering someone's ambition and hope then there is no bigger tragedy than this...

A valid point. Women were not considered 'talented enough' to play in orchestras. When the auditions were held from behind a screen, where the performer was not visible, the percentage of women musicians in orchestras went up quickly from 5% to 50%!

This is an example used by Gladwell in his book 'Blink' which looks at the complexities behind snap judgements. In the orchestra case, the maestros would have been entirely unaware of the flaws in their judgment. They would have been outraged at the suggestion that their decision-making was compromised by sexism.

Now theoretically we could put all participants behind a screen and let people vote for the best voice. But then it would be a radio show, not a TV property.

While Zee could not have engineered votes from Assam (that happened spontaneously) they had certainly capitalised on it by announcing the same on every episode...
 
What could have been done
Another gentlemen sent in a sensible suggestion:
Even in the Olympics, when multiple judges are giving marks to contestants, the highest and the lowest mark givers are eliminated and an average of the rest of the marks are taken. This is done to remove any bias a judge might have for or against any particular contestant. The same could have applied here.

The votes from the state giving the highest and the lowest votes should have been eliminated and then the average should have been taken.


Magar phir wahi baat hai - show mein spice kahaan se aata.
Aur na aise strange replys aatey: " It is an article written by an idiot. I am astonished... Use your brain. Is Assam a part of India or what? For people like you the North East is always sidelined. Rubbishhhhhhhhhh."

I'm sorry but the conspiracy theory does not hold

The Indian government has made a mess of the North East situation, no doubt. But I and millions of other Indians think of Assam as just another state in the Union of India. We do not vote for Assamese singers because we are against their place of origin.
 
Many of us simply don't want to waste 6 bucks. For any singer, from any region.

Bottomline: Ultimately, the feeling is that neither Vinit nor Debojit deserved to get so far (Himani, Nihira and Hemchandra were more talented). Those who had been following the show said Vinit too garnered votes through means other than pure talent (apparently by making up some stories about a 'lady love').

But hey, these are 'reality' shows and the reality is that people want to discuss how unfair this one's elimination was and how badly that judge behaved. Because these are 'hope operas'.

And whatever the means a contestant can use to awaken emotions enough to vote for him - he or she uses. That's the way the show is designed.

India seems to be finally maturing the Western way. It is interesting to note that these shows are finally emulating the Western model where a star (performer of any kind) has to keep himself/herself in the news to sell oneself. The definition of fittest (as in survival of the fittest) has changed from creatively talented to famous. Roughly translating from a hindi saying: If you are infamous, you are indeed famous.

This also reminds me of a test that was conducted some 10 years back in the USA where in a movie theatre featuring a suspense movie, every 10 minutes, for 1 second, a Coca-cola ad would turn up. People were furious with Coca-cola as its advertisment interrupted the movie, but after the movie was over, the sales of Coca-cola from the shops sky-rocketed suggesting that these things work at subconcious level.

At the end of the day, no one really loses. Most reality 'stars' end up earning big bucks through playback singing and live shows. Instead of struggling for years and years like the singers of a previous generation. And simply for that, I say, these shows raining down on us are a good thing.

Life is not fair - that is reality. Neither are reality shows which are actually not real at all...  

Jaisalmer - "The Golden City" - II














 Visitor attractions

Jaisalmer Fort

Built in A.D.1156 by the Bhatti Rajput ruler Jaisal, Jaisalmer Fort is situated on Trikuta Hill and had been the scene of many battles. Its massive sandstone walls are a tawny lion colour during the day, turning to a magical honey-gold as the sun sets. The famous Indian film director Satyajit Ray wrote a detective novel and later turned it into a film – Sonar Kella (The Golden Fortress) which was based on this fort. This is a living fort and about a quarter of city's population still live inside the fort. The main attractions inside the fort are: Raj Mahal (Royal palace), Jain temples and the Laxminath temple.

 Havelis

The main havelis in Jaisalmer are:

  • Patwon-ki-Haveli: Guman Chand Patwa (and later by his five sons), a wealthy merchant belonging to powerful Oswal Jain community and banker who had over three hundred trading centres from Afghanistan to China. This ornate five-storey complex took fifty years to complete. This is the largest, the most magnificent, and the most elaborate of Jaisalmer havelis.
  • Salam Singh-ki-Haveli: It was built by the scheming Prime Minister Salam Singh in A.D.1815. It has a beautifully arched roof capped with blue cupolas and carved brackets in the form of peacocks.
  • Nathmalji-ki-Haveli: Built by a Prime Minister of princely state of Jaisalmer. Its facade is a riot of ornamentation: flowers, birds, elephants, soldiers, a bicycle and even a steam engine.
  • Haveli Shreenath : The Vyas family built this lovely haveli Shreenath Palace - Hotel in Jaisalmer in the 15th Century, and descendants of this family live here today. Shreenath Palace - Hotel in Jaisalmer was once inhabited by the Prime Minister of Jaisalmer, and guest are invited to stay in these rooms – there are only five available for the hotel – and join the Vyas family in enjoying this architectural treasure, and feel like a Maharaja for a few days. Some of the doors and ceilings are wonderful examples of old carved wood from many hundreds of years ago. Some of the doors have brass or iron fittings.

 

 

 

 

 

 

 

Jain heritage of Jaisalmer

Jaisalmer city has been enriched by its Jain community which has adorned the city with beautiful Jain temples most notably the temples dedicated to 16th Tirthankar Lord Shantinath and 23rd Tirthankar Lord Parshvanath. Jaisalmer boasts some of the oldest libraries of India which contain rarest of the manuscripts & artefacts of Jain tradition. There are many Jain pilgrimage centres around Jaisalmer like Lodarva, Amarsagar, Brahmsar and Pokharan.



 

 

Museums

  • Desert Culture Centre & Museum
  • Jaisalmer Folklore Museum
  • Government Museum

Other  Attractions

  • Gadsisar Lake - Excavated in A.D.1367 by Rawal Gadsi Singh, it is a scenic rainwater lake surrounded by small temples and shrines.

 

In the neighbourhood

  • Bhattiani Sati Rani
  • Bada Bagh
  • Amar Sagar
  • Lodhruva
  • Mool Sagar
  • Kuldhara
  • Desert National Park
  • Sam sand dunes
  • Khuri village
  • Akal Wood fossil Park
  • Bhaniyana
  • Gadisagar Lake

Desert festival

This is held over three days in January/February every year. This is the best time to visit Jaisalmer to witness performing arts like Kalbelia dances and folk songs and music.

Once a sleepy desert city, Jaisalmer has transformed itself into a major tourist destination of India. Situated amid picturesque Thar Desert, the Jaisalmer city commands premiere position among the tourist attractions scattered all over the desert land of Rajasthan. The city is revered both by Indians as well as foreign tourists.

 
Like various other cities of Rajasthan, you will discover different facets of Jaisalmer as you explore this wonderful city. Though there are historical monuments scattered all over the city but the Jaisalmer Fort will immediately command your attention. Made of sand stones and locally known as Sonar Quila, the Jaisalmer Fort is a dominating structure amidst sands. The city is also known for its old mansions, better known as Havelis. Among many of them you will find Salim ji ki haveli and Nathmal ji ki haveli as the most striking. There are other monuments too, which are equally important because of their distinct and individual architecture. The amalgamation of ancient and the medieval era architecture will catch your fancy. 











 

 
Jaisalmer is a prominent educational as well as cultural hub in the region and regularly showcases the vivid cultural aspects of Rajasthan. Among others, it includes folk dances as well as semi classical and folk music.

The city is easily accessible and people are warm and welcoming. In spite of harsh living conditions, Rajasthani people are known for their warm hospitality all over. So come to Jaisalmer and enjoy the traditional rhetoric of 'padharo mahare desh' (welcome to our land).

The marvelous fort, the splendid havelis and the rich culture of Jaisalmer is bound to make you fall in love with the city. One thing is for sure, you will not regret your travel to Jaisalmer by the luxury train ‘Palace on Wheels’. Given below is more information about Jaisalmer travel by Palace on Wheels…

Schedule of Jaisalmer Luxury Train Travel:
The first stoppage in the city of Jaisalmer will be made at the massive Jaisalmer fort. The second largest fort in Rajasthan, it is adorned with exquisite architecture and provides an awe-inspiring view of the vast desert below. Next on the itinerary will be a tour of the magnificent havelis (mansions) of Rajasthan, particularly Nathmalji-ki-haveli, Patwon-ki-haveli and Salim Singh-ki-haveli. All of them display the exquisite craftsmanship of the stone carvers of the old times. There is a Government-run emporium if Jaisalmer also, where one can buy silver jewelry, pattu shawls, wooden boxes, embroidered articles, trinkets, beautiful mirror work and other knick knacks. In the afternoon, the tourists shall have lunch, followed by a camel ride on the amazing Sam sand dunes. Dinner and a cultural program at a Jaisalmer hotel will bring the itinerary in the city to culmination. At night, the train will leave for Jodhpur.

Geographical Limits
JAISALMER District, a part of the Great Indian Thar Desert, is a sandy, dry and scorched. The terrain around, within a radius of about 60 kms is stony and rocky. The area is barren, undulating with its famous sand dunes and slopes towards the Indus valley and the Rann of Kutch. The soil here is grateful even to a little rain and turns lush green during monsoons. There is no perennial river in the district. The underground water level is very low. Geographically this district is spread over in 38,401 sq. kms which is one of the largest district and almost equal to the state of Kerala. Joined together, the district of Barmer and Jaisalmer is the Largest Parliamentary constituency in India.
  
Flora & Fauna
Khezada, Bavla, Lora, Rohida, Van, Phog, Kumbhar, Jal, Neem, Babul and many other trees are to be found among sparse vegetation. Orchards are luxury and can be seen occasionally in a very rare sport. Grass-beds or lawns are never seen anywhere. Animals perforce have to move from one place to another in search of fodder and water. Sheep, cow, goat, camel, chinkara and wild boar and jackals from the fauna here. Poisonous snakes are common in the desert. The birds of various kinds commonly found in the area are peacock, parrot, pigeon, crow and specially the white Palam birds make the surroundings lively and interesting. The number of great Indian bustards, which were once in abundance in Thar Desert, began to decline fast. In addition to these cocks and hens are domestic birds.
  
Climate
JAISALMER has a very dry climate with very hot summer; a cold winter and sparse rains. The climate is extremely hot during summer with maximum temperature reaching up to 49.2 degree Celsius and extremely cold during winder with minimum temp. in the range of 1 degree Celsius. The variation in temperature from morning to noon and the late midnight is a sudden phenomenon. The average rainfall is only 16.4 cms as against the state average of 57.51 cms.

FACTS & FIGURES
Area
5.1 sq. km
Language
Marwari, Rajasthani and Hindi
Best time to visit
November to February

  The golden city of Jaisalmer, which lies courageously as the western sentinel of India, is a place worth visiting. The golden ray of the setting sun draws a heavenly picture on the sands of Jaisalmer. The magnificent wood- and stone-carved mansions and buildings display the love of the Rajputs towards the fine arts.

Jaisalmer is situated in the westernmost part of the state of Rajasthan, the heart of the great Thar Desert. It has neighboring Pakistan on its western side. On its south, there is the beautiful city of Bikaner. The eastern part of the place is bordered by Jodhpur, another city of color and tradition. The climate of this city is of typical desert character. Population of this city is quite low compared to the other parts of the state. The best time to visit this desert city is the winter season (November to February) when the heat becomes comparatively low. The desert festival held during the last winter months of January and February is the most opportune time for the people to visit Jaisalmer.

Desert National Park is another place that preserves the natural ecosystem of the desert land. Cactus, thorny trees and shrubs could be seen growing easily without being taken care of. It has some vegetation that survives in the dry and arid soil. It also has few animal species like the monitor lizard, desert foxes, porcupines and black bucks, etc.
FAIRS & FESTIVALS
·         The most famous of the local festivals is the camel fair that is held during the winter season of the year. Camel dances, camel races, folk dance, and music are some of the major attractions of this place. It is also known as the desert festival.

HOW TO REACH

Jaisalmer is well connected to the nearby towns and cities. The nearest city is Jodhpur. To visit this place by air, one has to take the flight operated by Indian Airlines and Kingfisher Airlines between Jodhpur and Jaisalmer. To get there by train there is a meter-gauge train that connects this place with the rest of the small and big places. We would provide you all India tourist permit vehicles for the local transportations and also for the intercity drives too.